https://www.antepavilion.org/new-folder daily 0.75 2020-12-16 https://www.antepavilion.org/arts daily 0.75 2020-12-16 https://www.antepavilion.org/updates daily 0.75 2024-12-16 https://www.antepavilion.org/updates/2024-update monthly 0.5 2024-01-09 https://images.squarespace-cdn.com/content/v1/5fd8d2ed481f942658c5722a/1a01c1c8-99d3-4629-9a9e-91bb4e3cfd59/f402fc08-fdfc-0392-00b7-f07492a4f208.jpeg Updates - 2024 Update - Make it stand out The 2020 Antepavilion Sharks! Installed in City Rd Basin (L.B. Islington) https://images.squarespace-cdn.com/content/v1/5fd8d2ed481f942658c5722a/99573dbe-f14b-41f5-ab5f-7f3deafcecec/774f70a0-553e-c53e-b701-09a5720b7b36.png Updates - 2024 Update - Make it stand out Priti Patel inspecting the Police's own Watchtower replica so that the threat to society posed by such tensegrity structures could be contained https://images.squarespace-cdn.com/content/v1/5fd8d2ed481f942658c5722a/1aea6657-befc-44d7-859f-e5565406a656/f29232c2-5bb6-d929-e955-b10847ec578f.jpeg Updates - 2024 Update - Make it stand out The tensegrity structure All Along the Watchtower by Project Bunny Rabbit https://images.squarespace-cdn.com/content/v1/5fd8d2ed481f942658c5722a/c7b71a1b-b78f-4b0c-8c83-e7b19d6b2790/084308df-30ba-223e-ee28-7a1d75dfdd5f.png Updates - 2024 Update - Make it stand out Conical Intersect by Gordon Matte-Clark in Architecture and Anarchism https://www.antepavilion.org/updates/sharks-back-maybe-gah2t monthly 0.5 2024-01-09 https://www.antepavilion.org/home daily 1.0 2025-01-09 https://www.antepavilion.org/contact-us daily 0.75 2021-03-16 https://www.antepavilion.org/2020-winner daily 0.75 2020-12-16 https://images.squarespace-cdn.com/content/v1/5fd8d2ed481f942658c5722a/1608053568773-FXZOEJK0EBX9KLFDMRRO/sharks-2020-page-1076x1435.jpg 2020 winner - THE WINNER OF THE 2020 ANTEPAVILION: SHARKS! BY JAIMIE SHORTEN - AUGUST 2020 "SHARKS!, the winning proposal by architect Jaimie Shorten takes inspiration from the Headington Shark, the full-scale fibreglass sculpture of a shark that crashes into the roof of a terraced house in suburban Oxford. Installed in 1986, the Headington Shark was the subject of a prolonged campaign by Oxford City Council to force its removal. Eventually, the case was assessed by the Department of the Environment in 1992 which decreed that it could remain, noting that ‘the shark is not in harmony with its surroundings, but then it is not intended to be in harmony with them’. Applicants to this year's Antepavilion competition were invited to make proposals that referenced Hackney Council's ongoing campaign to demolish the previous Antepavilions that have been built at Hoxton Docks. The winning scheme by architect Jaimie Shorten comprises a group of full scale replica sharks which will be installed in the Regents Canal. A live broadcast via Zoom featured performances and conversations from the launch night." VIEW GALLERY https://images.squarespace-cdn.com/content/v1/5fd8d2ed481f942658c5722a/1608113418869-EFNM524L45KORMK1V5PZ/bridge-over-troubled-water-studio-emile-photograph-antoine-espinasseau-1-1076x718.jpg 2020 winner - SHORTLISTED: BRIDGE OVER TROUBLED WATER BY STUDIO EMILE “Our proposal tries to link two sides and enter into a discussion. The pavilion takes its shapes from seven pontoons. Placed in a line, they create a long pier on which we can walk, sit and stay. With the movement of two hinges, the pavilion expands and retracts teasing both sides of the canal, bridging across to attract passersby. A canopy, spanning in between the steel structure unfolds as the elements move in different positions creating a covered Piazza over the water. The long pier should become a place of contemplation, discussion and a pavilion for distraction.” Studio Emile is Barbara Thüler, Charles Bédin and Elseline Bazin." https://images.squarespace-cdn.com/content/v1/5fd8d2ed481f942658c5722a/1608113718064-A1K29Q28S2D1DOZBLD11/hortus-1200x1108.jpg 2020 winner - SHORTLISTED: HORTUS CONCLUSUS BY STICKS AND STONES - BECKY CHIPKIN AND JACK SWANSON "The project proposes a new floating community garden on the Regent’s Canal. The walled garden (Hortus Conclusus) provides intimacy and shelter for the activities within whilst allowing partial openness - the wall itself is raised delicately on masonry plinths offering glimpses of the garden from outside. The wall acts as a kind of ‘billboard’ to the transient joggers, walkers and cyclists along the canal. The project is intended to be built and run with genuine community participation from local residents.” https://images.squarespace-cdn.com/content/v1/5fd8d2ed481f942658c5722a/1608113953070-PY0KQ9CNPFTEJWVRPCTL/tea-house-1256x1557.jpg 2020 winner - SHORTLISTED: TEA HOUSE BY AKASAKI VERHOEVEN "Modularity is found in the 1:2 ratio of the pontoons, a ratio required for the traditional tea room Tatami-mat which is fundamental to tea drinking in Japan. The Tea House floats detached from the mainland, circumferencing a pool of water which motivates its introversive nature and beckons fluid circulation around the pavilion.The roof opening allows the presence of English rain to be felt inside, while lounging on recycled chip foam. The chains dangle from the edges of the gutters, appearing as a light and ornamental fabric, but function as guides to carry down drops of rain from the steel gutters to the canal." https://images.squarespace-cdn.com/content/v1/5fd8d2ed481f942658c5722a/1608054952335-KSJDTEH8JJH883Y1Z40B/sur-le-tois-2-1130x1017.jpg 2020 winner - SHORTLISTED: SUR LES TOIS BY BVLT “The London Borough of Hackney’s Council issued in 2019 an enforcement notice requiring the removal of the well-known Antepavillion rooftop structures, as well additional gravitating elements of the Wharves. 'Unacceptable by virtue of their size, location and design’, the Council furthermore describes the structures as ‘incongruous’ forms of development which adversely affects the character, appearance and architectural integrity of the host building and the conservation area. Between rebellion and coalition, disharmony and unity, opposition and integration, sur les toits inserts itself as the story's iconic protagonist. Silent yet telling, the symbolic proposal escapes the enforcement claims whereas emblematically embodying Antepavillion’s one. sur les toits (on roofs) is no more than, yet above all, an-architectural claim." https://www.antepavilion.org/2019-winner daily 0.75 2020-12-16 https://images.squarespace-cdn.com/content/v1/5fd8d2ed481f942658c5722a/1608055447598-P3SD8G7FM7I4L7GLA2M0/potemkin-2019-page-1076x1515.jpg 2019 winner - THE WINNER OF THE 2019 ANTEPAVILION: POTEMKIN THEATRE "The 2019 Antepavilion, titled Potemkin Theatre, will play host to a programme of events that will activate the roofscape of the Columbia and Brunswick Wharf site, its adjacent canal and roadsides with public performances. Maich Swift’s winning proposal is for a timber structure clad in colourful panels of painted canvas, which will act as both a canalside theatre and rooftop cinema. Just as the Haggerston Baths sit empty across Laburnum Street, waiting to be restored to life, this little theatre of the everyday is a beacon full of potential waiting for occupation. Potential programming includes site-specific productions with touring theatre productions, small music concerts, film screenings, soapbox speeches or comedy shows." VIEW GALLERY https://images.squarespace-cdn.com/content/v1/5fd8d2ed481f942658c5722a/1608057136075-1Z9DGQV2MZ1WACZ8YYNO/faience-1256x1256.jpg 2019 winner - SHORTLISTED: FAIENCE BY FETTLE STUDIO "At this time, around the 200th year of the opening of Regents Canal, this proposal draws its inspiration from this very special site for 2019. The site occupies a prominent rooftop position at the Columbia and Brunswick Wharf, and presents the unusual opportunity to greet long distance views along the canal, as well as short perpendicular views. Using handmade ceramic blocks set within a robust timber frame, this proposal creates a structural sculpture, a beacon, an indulgence in rich materiality. With scope for a long life ahead, the pavilion is able to accommodate and adapt to other purposes, such as a meeting space, a classroom or a stage." https://images.squarespace-cdn.com/content/v1/5fd8d2ed481f942658c5722a/1608057060173-FS1C7FLA7X4HAVC4G2NK/proto-selfbuild-1256x837.jpg 2019 winner - SHORTLISTED: PROTO-SELFBUILD BY LA ROI & SIMONE TCHONOVA “Our proposal tries to link two sides and enter into a discussion. The pavilion takes its shapes from seven pontoons. Placed in a line, they create a long pier on which we can walk, sit and stay. With the movement of two hinges, the pavilion expands and retracts teasing both sides of the canal, bridging across to attract passersby. A canopy, spanning in between the steel structure unfolds as the elements move in different positions creating a covered Piazza over the water. The long pier should become a place of contemplation, discussion and a pavilion for distraction.” Studio Emile is Barbara Thüler, Charles Bédin and Elseline Bazin." https://images.squarespace-cdn.com/content/v1/5fd8d2ed481f942658c5722a/1608114739180-OZT6BFMY2NYEO09A5SJ6/constructing-nations-1256x1256.jpg 2019 winner - SHORTLISTED: CONSTRUCTING NATIONS BY MISC "Wembley Stadium’s iconic twin towers were controversially demolished in 2003, despite being Grade II listed, and consequently erased 79 years of British national history. Whilst this moment upset football fans globally, its demolition and subsequent burial within the artificial mounds at Northala Fields also raise concerning questions about Britain’s relationship to its imperial past. Constructing Nations will symbolically rebuild one of the twin towers in an abstract form, with the interior performatively cleaned in a duality of care for a nation currently struggling to redefine its global position, whilst referencing the nation’s self-claimed exoneration from Imperial guilt. The overarching structure allows a number of programmatic possibilities to be contained within it, hinting at a potential productive process for the construction of a positive, post-colonial British identity." https://images.squarespace-cdn.com/content/v1/5fd8d2ed481f942658c5722a/1608057446695-33DYV0CP5ZRR2OG632FM/trojan-house-1256x943.jpg 2019 winner - SHORTLISTED: TROJAN HORSE BY IANDELLI IRVING "Trojan Horse looks to confront our uncertain socio-political futures through the themes of legacy, waste and storage. It is a temporary monument for Columbia and Bruswick Wharf and a provocation for the imagination of potential futures. When intervening within the built environment we must consider the implications and influence on our collective future and how the next will readapt and continue the cycle of change. Our proposal bases its present on that of its future, by expanding on ways in which it can be repurposed and re-altered. In the future, our structure will be retired to give place to new work, our structure will offer raw uncompromised store bought materials to be converted by future participants or the myriad of London based makers. The pavilion will be assembled entirely from standard size materials, which will be essentially unaltered and used as they are. This idea acts as a provocation to the possibility of future use. Alongside the production of practically zero waste, the heightened reduction of on site work and manual labour allows for more capital to be spent on raw materials to then be offered in succession." https://www.antepavilion.org/2018-winner daily 0.75 2021-09-03 https://images.squarespace-cdn.com/content/v1/5fd8d2ed481f942658c5722a/1608115185984-X4US53FL7W8J3U8E4VSS/airdraft-2018-page-852x1065.jpg 2018 WINNER - THE WINNER OF THE 2018 ANTEPAVILION: AIR DRAFT By Thomas Randall-Page and Benedetta Rogers - April 2018 "The 2018 Antepavilion, which will traveled London’s waterways in the summer, was conceived as a two-level inflatable space with a high-pressure supporting structure and low-pressure canopy resting on a historic steel barge named Ouse. The design, which was realised with the help of structural engineers, AKT II, allowed the barge to deflate in order to fit through the many low bridges and tunnels which line London’s canal network then re-inflate creating a pop-up performance space. Phineas Harper who chaired the jury said: “The jury were deeply impressed with the calibre and creativity of the finalists. Thomas Randall-Page and Benedetta Rogers’ winning design is exhilarating and joyful, drawing upon the work of Jeffrey Shaw and Ant Farm. The bold and experimental nature of the team’s proposed structure and the festive programme of events they envision along the length of the Regent’s Canal make it an exciting and worthy winner of the 2018 Antepavilion Commission." VIEW GALLERY https://images.squarespace-cdn.com/content/v1/5fd8d2ed481f942658c5722a/1608115297770-993YA8VIC2IAZ5BRAMP4/pop-up-parliament-1256x942.jpg 2018 WINNER - SHORTLISTED: POP UP PARLIAMENT BY MAX DEWDNEY & ARCHITECTS AND NO-TO-SCALE "Pop-Up Parliament is a platform to host alternative events. Pop-Up Parliament inverts the Gothic interiors of Westminster Hall to transform the Ouse into an open-air structure with a light and transparent roof. Within the structure is a covered seating area with a built-in swap library and debating chamber to be used for a programmed series of events and talks that will focus on the spaces of decision-making, from polling booths to local and national party headquarters and the decline of the town hall. It will be constructed out of sustainably sourced plywood timber for the main frame, with reclaimed timber decking, rope and transparent recyclable polycarbonate for the roof." https://images.squarespace-cdn.com/content/v1/5fd8d2ed481f942658c5722a/1608115444502-KL6D8Z7PD4N3BB1KUPO4/buttyboat-thomasbates2-1256x1675.jpg 2018 WINNER - SHORTLISTED: BUTTY BOAT "At the beginning of the 20th century, working narrowboats were operated and often constructed in pairs. The principal boat was powered by steam or diesel and the second boat was towed. The second boat was known as a buttyboat. The word ‘butty’ is an old mining word for ‘fellow or workmate’. The proposal is to construct a second boat; a friend or fellow for Ouse. This buttyboat will be built on Ouse on large props and it will remain in its elevated construction position. The elevated boat will act as a timber canopy, forming a space underneath that can be used by those in the workshops, artists’ studios, and events space." https://images.squarespace-cdn.com/content/v1/5fd8d2ed481f942658c5722a/1608115563065-3SVLV16ODPLPAO92MIEI/travelling-restaurant-to-tackle-hidden-homelessness-1256x888.jpg 2018 WINNER - SHORTLISTED: TRAVELLING RESTAURANT TO TACKLE HIDDEN HOMELESSNESS BY MISC "Pavilion architecture is too often wasteful, formalist and purposeless, directing designers’ energy away from real problems in society. Our Antepavillion turns this supposition on its head by creating a valuable space for a start-up social enterprise. Our proposal is to convert the Ouse into a travelling supper-club for Fat Macy’s, a social enterprise tackling the hidden homelessness crisis. The concept is to create a nomadic, hidden space, concealed by a minimal roof form in the day, which dramatically opens each evening, capturing the attention of passers-by." https://images.squarespace-cdn.com/content/v1/5fd8d2ed481f942658c5722a/1608115676504-NVQ0XJZ4ZZVSPC8O48HW/re-ouse-1256x788.jpg 2018 WINNER - SHORTLISTED: RE-OUSE BY DUMAN STUDIO "The Regent’s canal from Islington to Mile End is highly varied in nature. To reflect the ever-changing requirements of this site, Re-Ouse fluctuates, evolves and transforms. The design is characterised by two illuminated sculptural canopies, made from recycled white translucent sails. The movements of the canopies are reminiscent of the cranes which were once used to load cargo onto the boat. Similarly to the cranes, they pivot up and down from two axis. Moored outside Victoria park in the summer, the Ouse can open up to become a bar or small cinema space. Outside Cyber Street it may lower its canopies to form a floating exhibition space, or perhaps it will float further down to Queen Mary’s University, with its blocks and canopies rearranged into an outdoor teaching space or debating chamber." https://www.antepavilion.org/2017-winner daily 0.75 2020-12-16 https://images.squarespace-cdn.com/content/v1/5fd8d2ed481f942658c5722a/1608116460072-DI403CNVGXPCU3TMN11J/hvac-2017-page-1076x1076.jpg 2017 WINNER - THE WINNER OF THE 2017 ANTEPAVILION: H-VAC By PUP Architects - August 2017 "Designed and built by upcoming architecture firm, PUP Architects, H-VAC was selected from 128 entries including 5 finalists as the winning proposal for the inaugural Antepavilion international competition. PUP worked with the clients and the Architecture foundation to realise the project in July and August 2017. Clad in reversible Tetra-Pak shingles, H-VAC is a playful subversion of planning legislation, exploiting permitted development rights for rooftop plant to confront the habitation of rooftop space. Covertly extrovert, the snaking linear form references the voluminous curved surfaces of rooftop ducting and air handling plant; primarily functional yet surprisingly sculptural. A shelter in disguise, the enlarged scale allows inhabitation and exploits its inaccessible location, concealing a rooftop garden." VIEW GALLERY https://images.squarespace-cdn.com/content/v1/5fd8d2ed481f942658c5722a/1608116582266-H60EZXSYSQVAKJK3WHMF/onion-1256x1660.png 2017 WINNER - SHORTLISTED: THE HACKNEY ONION BY STUDIO MERLIN "The Hackney Onion concept was derived from Hackney’s multiple layers. The onion represents the borough’s diversity, food culture and the technology hub that East London is becoming. The project is an experimental repurposing study of the functional credentials of the traditional onion dome form, which is more usually seen adorning buildings for a primarily aesthetic purpose. The Hackney Onion proposed for the Arts House Foundation rooftop a temporary structure consisting of 5 single occupancy units, a bathroom, in-built storage and a communal living space with onion-tip ceiling and openable roof hatch. The design attempted to proactively tackle some of the issues facing London, including homelessness and unaffordability through the creation of just one of a series of colourful rooftop almshouses. The colourful recycled plastic onion-shaped roof tiles highlight the city's waste problems, whilst promoting the innovative and participatory re-use of materials to minimise life-cycle cost." https://images.squarespace-cdn.com/content/v1/5fd8d2ed481f942658c5722a/1608116631390-D87OESZ123L1WT3GX1XW/are-we-bored-in-the-city-1256x858.jpg 2017 WINNER - SHORTLISTED: ARE WE BORED IN THE CITY BY NICOLO LEWANSKI "We wish we had the instruments to understand the city like they did in the sixties, when they designed all these bold futures. We wish, but we don’t know how. No matter! There is no excuse to hide behind concrete façades, like Shinohara did after the Metabolists. We designed a dialectic machine to assess our relationship with the city. Floating on a net above the plants – a secret garden of sorts, yes, a comfortable world hidden away – we start from this degree zero to select, open and close, angle the panels which constitute the façades. Thus we construct our understanding of the surroundings." https://images.squarespace-cdn.com/content/v1/5fd8d2ed481f942658c5722a/1608116823717-RVTMV5P7SZAS0FXQRP7Z/sparerooms-1256x1439.jpg 2017 WINNER - SHORTLISTED: SPARE ROOMS BY HAN HAO "This flat-sharing house is an experiential prototype that intensifies and evaluates the daily experience of co-housing. Cohousing with strangers is the norm of how London homes are occupied today. The house in the housing climate of London could serve as a ‘trial period’ for potential flatmates to meet and come up with their own interpretations of domesticity. Within this context, the house becomes a physical setting whereby friends or strangers are constantly grappling with domestic decisions. The proposal celebrates the political nature of domestic environments. Rather than mere objects for use, household elements such as partitions, furniture and objects become active agents that invite discussion and debate, use and misuse. Banality of the home becomes significant and invites new appropriations for the function and use of domestic settings." https://images.squarespace-cdn.com/content/v1/5fd8d2ed481f942658c5722a/1608116906910-SSDQH2MGIUI5J0WFE3PX/urban-symbiosis-1256x1055.jpg 2017 WINNER - SHORTLISTED: URBAN SYMBIOSIS BY MUELLER "The design for the Urban Symbiosis Pavilion was born of the idea how urban densification within London and other cities with high pressure on housing demands can be achieved to the benefits of all inhabitants. The rooftops of industrial structures like those on the given site, or of any other buildings, be it residential or commercial, were singled out as the most underused areas with a great potential. This pavilion was developed to build a symbiosis with its host structure, a ‘mutually beneficial relationship between two different organisms in close physical association’. It benefits from the existing infrastructure, including circulation and services as well as access to sunlight and great views." https://www.antepavilion.org/gallery daily 0.75 2025-10-01 https://images.squarespace-cdn.com/content/v1/5fd8d2ed481f942658c5722a/1608118351263-3RFW02TI5010OU9ZJ0L4/potemkin-web-2-506x708.jpg Gallery https://images.squarespace-cdn.com/content/v1/5fd8d2ed481f942658c5722a/1608118677907-CX0R1MYSPAGIGVQ2B3OM/antepavilion2-jimstephenson-23-506x633.jpg Gallery https://images.squarespace-cdn.com/content/v1/5fd8d2ed481f942658c5722a/1608119006858-8H956LEZNA4J4B97BH3Q/hvac-jimstephenson-12-webres-506x405.jpg Gallery https://images.squarespace-cdn.com/content/v1/5fd8d2ed481f942658c5722a/1608119397706-ZTHTKAE384ES0Y97DTXM/fh1-506x380.jpg Gallery https://images.squarespace-cdn.com/content/v1/5fd8d2ed481f942658c5722a/1608121661521-EFQBIUWVH6J1P6MS2VYD/wh1-506x285.jpg Gallery 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https://images.squarespace-cdn.com/content/v1/5fd8d2ed481f942658c5722a/1608746156623-5CN67MY7TNQ28ILF7X4N/IMG_0113.jpg 2021 BRIEF https://images.squarespace-cdn.com/content/v1/5fd8d2ed481f942658c5722a/1608834001182-I0QGGGPGYX02SMKKHSBH/Bath+3.jpg 2021 BRIEF https://images.squarespace-cdn.com/content/v1/5fd8d2ed481f942658c5722a/1608834505076-JY08FGHUAL0J5TT1P224/bar+1+dim.jpg 2021 BRIEF https://images.squarespace-cdn.com/content/v1/5fd8d2ed481f942658c5722a/1608991734209-YU3IZPTZ75ZFJYQPLQ1L/potemkin+0.jpg 2021 BRIEF Flood House by Matthew Butcher (2015) https://images.squarespace-cdn.com/content/v1/5fd8d2ed481f942658c5722a/1609242571769-APHDLJY8R3SA5L5O4IHX/Incongrous+Doorway.jpg 2021 BRIEF Incongruous? Finely crafted faux 19c. neo-classical doorway in pigmented cast concrete masonry, installed in 2020. ‘Drystone’ canal wall renewal. Built with retained Portland, York and Bath stone moulding pieces and concrete cores from Shiva’s restoration projects. c.2015 https://images.squarespace-cdn.com/content/v1/5fd8d2ed481f942658c5722a/1608835208087-P0QK8M10A6I7BJ4C3I5M/bar+2.jpg 2021 BRIEF https://images.squarespace-cdn.com/content/v1/5fd8d2ed481f942658c5722a/1608991676082-46M4N6AW4XBYSPHGX4JH/bridge+4.jpg 2021 BRIEF https://images.squarespace-cdn.com/content/v1/5fd8d2ed481f942658c5722a/1608991778045-P3KC1TIJBQ8NCMOKL69Y/IMG_0776.jpg 2021 BRIEF Potemkin Theatre (2019) to be dismantled in early 2021. https://images.squarespace-cdn.com/content/v1/5fd8d2ed481f942658c5722a/1609242612472-MJ4B8M3P38L94CNUU4JQ/incongrous+sliding+door.jpg 2021 BRIEF Incongruous? Sliding steel and triple-wall opalescent polycarbonate sheet ‘screen’. Modelled on mid-20th century aircraft hangar doors. c.2014 https://images.squarespace-cdn.com/content/v1/5fd8d2ed481f942658c5722a/1608835080140-PC183L56TSJ8A4J4A4J0/Bridge+3.jpg 2021 BRIEF https://images.squarespace-cdn.com/content/v1/5fd8d2ed481f942658c5722a/1608992022769-QOTGKYQ11Q0RY5SFU883/location.jpg 2021 BRIEF https://images.squarespace-cdn.com/content/v1/5fd8d2ed481f942658c5722a/1608993142560-S675WC0L5J03DJJM3ZAN/bar+5.jpg 2021 BRIEF https://images.squarespace-cdn.com/content/v1/5fd8d2ed481f942658c5722a/1609242597455-3Q1PLNSGXYGKWL3MRR65/incongrous+rivet+door.jpg 2021 BRIEF Incongruous? Sliding warehouse door in sheet steel with solid riveted, Victorian industrial design references. c.2005 https://images.squarespace-cdn.com/content/v1/5fd8d2ed481f942658c5722a/1609256835251-J3UI69N5DMJWU0ZL5IKD/street+eleve+vation+latest.jpg 2021 BRIEF https://www.antepavilion.org/faq daily 0.75 2026-02-19 https://www.antepavilion.org/2021-winner daily 0.75 2021-04-14 https://images.squarespace-cdn.com/content/v1/5fd8d2ed481f942658c5722a/b8dee8e0-7336-4f2f-b2a4-0e4a8680af75/Bridge+Road+Night+Siege.jpg 2021 WINNER https://images.squarespace-cdn.com/content/v1/5fd8d2ed481f942658c5722a/ae72b822-cc91-4550-b6d4-3ff53725d30b/Side+Road+Mobilise+Structure.jpg 2021 WINNER https://images.squarespace-cdn.com/content/v1/5fd8d2ed481f942658c5722a/9191dd3d-b07d-426b-94d3-965ccd0ee6e2/img71.jpg 2021 WINNER https://images.squarespace-cdn.com/content/v1/5fd8d2ed481f942658c5722a/4590cfca-cda7-43b5-a5f8-5394643176a0/Elevation_Final.jpg 2021 WINNER https://images.squarespace-cdn.com/content/v1/5fd8d2ed481f942658c5722a/62e5af70-221c-4878-a0e9-f3ba4d54dec3/img151.jpg 2021 WINNER https://images.squarespace-cdn.com/content/v1/5fd8d2ed481f942658c5722a/2b5cdbba-3c79-486e-a3e8-d787c9f8f42e/Elevation+Bartizan.jpg 2021 WINNER https://images.squarespace-cdn.com/content/v1/5fd8d2ed481f942658c5722a/b5e784a3-0cc0-43a7-a1ca-a9be8bab2c92/img89.jpg 2021 WINNER https://images.squarespace-cdn.com/content/v1/5fd8d2ed481f942658c5722a/af53ecd5-5b24-46b1-ae73-9b566dc79859/Plan_Final.jpg 2021 WINNER https://images.squarespace-cdn.com/content/v1/5fd8d2ed481f942658c5722a/759a651b-37ab-4d5f-a973-2722b7cb4820/img155.jpg 2021 WINNER https://images.squarespace-cdn.com/content/v1/5fd8d2ed481f942658c5722a/0424b341-d38a-4b72-8b97-564630102400/Reconfiguration+1.jpg 2021 WINNER https://images.squarespace-cdn.com/content/v1/5fd8d2ed481f942658c5722a/2a5bb0c7-2742-47a1-abf2-98ccfe938a8d/img157.jpg 2021 WINNER https://images.squarespace-cdn.com/content/v1/5fd8d2ed481f942658c5722a/8925ee10-09dd-4a33-bad7-585dd318c219/img41.jpg 2021 WINNER https://images.squarespace-cdn.com/content/v1/5fd8d2ed481f942658c5722a/7aa12583-9120-4d6a-a284-383b43ca8f8e/Reconfiguration+2.jpg 2021 WINNER https://images.squarespace-cdn.com/content/v1/5fd8d2ed481f942658c5722a/678167d1-a7b6-45e1-b906-66eea20a70cb/img213.jpg 2021 WINNER https://images.squarespace-cdn.com/content/v1/5fd8d2ed481f942658c5722a/268eb5f7-423b-4597-86b6-40c775b843e8/Reconfiguration+3.jpg 2021 WINNER https://images.squarespace-cdn.com/content/v1/5fd8d2ed481f942658c5722a/956648d0-2a7a-4707-b31e-43daf908a576/img35.jpg 2021 WINNER https://images.squarespace-cdn.com/content/v1/5fd8d2ed481f942658c5722a/13c427ee-936b-4a42-a1c1-1701e34f713a/reconfiguration+4.jpg 2021 WINNER https://images.squarespace-cdn.com/content/v1/5fd8d2ed481f942658c5722a/c4a2a3f5-4392-4264-8a06-0de844abcc5c/img39.jpg 2021 WINNER https://images.squarespace-cdn.com/content/v1/5fd8d2ed481f942658c5722a/1617808614650-EZZA1YLOXN7YC3N0THYX/img71.jpg 2021 WINNER https://images.squarespace-cdn.com/content/v1/5fd8d2ed481f942658c5722a/1617903001628-2BOVZEB5SB0QBSCDVP0B/pavilion+1_whitened.jpeg 2021 WINNER All Along the Watch Tower - a bamboo tensegrity pavilion, ultra light-weight and demountable for reconfiguration into diverse forms for uses ranging from social to siege Image : Effie Paleologou Project Bunny Rabbit Profile “Project Bunny Rabbit is a design & build collective sprung out of Extinction Rebellion; we collectively create the structures we need to challenge power.” The team say: "Our bartizans of tensegrity bamboo towers, or ‘beacons’ as we lovingly call them, were born out of a need to speak truth to power and challenge the mainstream discourse about the Climate and Ecological Emergency we are facing. We used our beacons to physically occupy a space and disrupt the status quo— forcing our demand to be seen and heard. This pavilion is an evolution of our beacons. The beacons embody the characteristics necessary in guerrilla style confrontation with authority: agility, flexibility, adaptability, transportability, and security. They are instruments of nonviolent direct action in the face of encroaching authoritarianism." https://images.squarespace-cdn.com/content/v1/5fd8d2ed481f942658c5722a/1618416208360-P4KR5I5YG1IRV5Z8HKWT/razzledazzle+land.jpg 2021 WINNER https://images.squarespace-cdn.com/content/v1/5fd8d2ed481f942658c5722a/1617815781545-AS537MDJJKVSW1FTG6G0/Untitled-5.jpg 2021 WINNER https://images.squarespace-cdn.com/content/v1/5fd8d2ed481f942658c5722a/1615898843485-F6KGPH7JFG2LOCBTW1ID/Hackney+inj.jpg 2021 WINNER - SHORTLISTED: HACKNEY INJUNCTION BY MARK CUNNINGHAM and PHILIP BOYES “The theming allows for many opportunities for engagement with the public, including platform announcements, signage, tickets, travel posters etc. The injunction box itself would house a complete record of the journey of the Antepavilion to date and open the conversation regarding the tracks ahead. The canopy, illuminated roundel and overground sign are all designed to be lightweight and portable for easy transportation and re-location around the site. The injunction box is built from prefabricated panels, using recycled Potemkin materials…." https://images.squarespace-cdn.com/content/v1/5fd8d2ed481f942658c5722a/1615898949343-YBH3DTE9ERN6JD06SFNP/false.jpg 2021 WINNER - SHORTLISTED: FALSE NEGATIVE BY DANIEL COLEY and WEI GUO "By embracing its status as a False Negative, our pavilion aims to be as nondescript as possible, as a simple screen-like hoarding, however gives the illusion it is actively removing a sizeable chunk of the building. Although the act of removal could be perceived as destructive, brutal or harmful, the intended effect is ethereal and entrancing, as the carved volume seems to follow your eye from any angle. It is intended to encourage debate as to whether the installation does more harm than good, or vice versa.” https://images.squarespace-cdn.com/content/v1/5fd8d2ed481f942658c5722a/1615899041528-Z3CHR4E7LZLAX0X636BC/weave.jpg 2021 WINNER - SHORTLISTED: THE WEAVED BARTIZAN BY KIEN PHAM "From the skeletons of the previous Antepavilion, the Potemkin Theatre, the resistant architects and designers have constructed a defensive structure for the Docks - the Weaved Bartizan. Taking inspiration from round masonry bartizans of medieval castles with contoured corbels that accentuate their geometry, the Pavilion brings a sculptural curiosity to passers-by from Haggerston Bridge and Regent’s Canal, while providing robust defence and attack cover from the Docks’ parapet. Pieces of the faux-classical fragments launched at the Docks, lodged within the laced structure, take on the vibrant colour scheme of the Pavilion and also becomes part of its construction." https://images.squarespace-cdn.com/content/v1/5fd8d2ed481f942658c5722a/1615899224047-6XTE7MUFS62WJ1PT24W9/SCAFFOLD.jpg 2021 WINNER - SHORTLISTED: SCAFFOLDING HACKNEY BY LAURA MAASRY “The project is a temporary scaffolding installed along the east side of Haggerston Bridge, which is accessed from the Northwest rooftop on Columbia Wharf. The structure essentially enables deployment of brickwork repairs of the bridge façade, but its nature is more complex. It is to be used by visitors, area residents, and possibly individuals who are open enough and involved in the planning process of the canal conservation area." https://images.squarespace-cdn.com/content/v1/5fd8d2ed481f942658c5722a/1615899580010-PIFWRZGFJM8YIPUIJHRC/MIRAGE.jpg 2021 WINNER - SHORTLISTED: THE HAGGERSTON MIRAGE BY TORSTEN SHERWOOD "A hidden exhibition space on the Regent’s Canal. Exhibiting, maybe, one of the recently ‘deceased sharks’ (possibly renamed ‘The Physical Impossibility of Humour in the Mind of an Planning Officer’), another ‘worthy piece of art’, or just a relaxing rock garden. Easily mobile along the Regent’s canal, with an ephemeral facade of water, and, ‘physically’, not much more than just some guttering - it’s ambiguous how much of a ‘built structure’ The Haggerston Mirage really is." https://www.antepavilion.org/watchtower-police-raid daily 0.75 2025-11-17 https://images.squarespace-cdn.com/content/v1/5fd8d2ed481f942658c5722a/1627380686676-KCRRAGOCAQYF7ZFJJYM5/Project+Bunny+Rabbit_%40probunnyrabbit_Raid4.jpeg WATCHTOWER POLICE RAID - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5fd8d2ed481f942658c5722a/1627381231676-1U9R5T4SS99OVUQ3IHTH/Police+raid+hammer+door.png WATCHTOWER POLICE RAID - Make it stand out TSG officers forcing open the door at Hoxton Docks https://images.squarespace-cdn.com/content/v1/5fd8d2ed481f942658c5722a/1627381009707-CAXUZHQSE3YNROL8ZNTA/DSC00744.JPG WATCHTOWER POLICE RAID - Make it stand out All Along the Watchtower on Hoxton Dock’s rooftop https://www.antepavilion.org/planning-inquiry daily 0.75 2022-01-21 https://www.antepavilion.org/stop-notice daily 0.75 2024-02-26 https://www.antepavilion.org/injunction daily 0.75 2024-01-31 https://www.antepavilion.org/guardian daily 0.75 2025-10-09 https://www.antepavilion.org/canal-river-trust daily 0.75 2025-10-09 https://www.antepavilion.org/hackney-fight daily 0.75 2025-12-01 https://www.antepavilion.org/2024-brief daily 0.75 2024-03-05 https://images.squarespace-cdn.com/content/v1/5fd8d2ed481f942658c5722a/ebb32c97-45f1-4d2c-be7e-ae9de7ff7abd/Pink_Tank_w.jpg 2024 BRIEF 2002: Pink Tank, commissioned by Cubitt https://images.squarespace-cdn.com/content/v1/5fd8d2ed481f942658c5722a/d61203a8-034c-4712-a7f8-6b42477074ce/IMG_0677.jpg 2024 BRIEF https://images.squarespace-cdn.com/content/v1/5fd8d2ed481f942658c5722a/cdcd8348-3c0d-48e1-adf7-b4f4a9a26818/2012.05.12.jpg 2024 BRIEF 12 May 2012 https://images.squarespace-cdn.com/content/v1/5fd8d2ed481f942658c5722a/78d604b3-a037-4dd1-a9bd-35f5d9065efb/Ring_of_Brogar_%28or_Brodgar%29_-_Orkney%2C_Scotland%2C_UK_-_June_1%2C_1989_02.jpg 2024 BRIEF https://images.squarespace-cdn.com/content/v1/5fd8d2ed481f942658c5722a/6154c87a-c7a1-4e9d-a906-5b93b66f3417/107233113-skip41.jpg 2024 BRIEF 105 Pages Walk with Skip House https://images.squarespace-cdn.com/content/v1/5fd8d2ed481f942658c5722a/b3fb5e16-928f-424e-a2f1-d5ce4e367121/excavators+bw.jpg 2024 BRIEF https://images.squarespace-cdn.com/content/v1/5fd8d2ed481f942658c5722a/bf4c540a-0eba-478d-80f0-4b877fa3e488/2014.04.11.jpg 2024 BRIEF 11 April 2014 https://images.squarespace-cdn.com/content/v1/5fd8d2ed481f942658c5722a/4f16e858-f349-4a70-baba-0c4c9d354f5e/royal-fusiliers-in-trench-macedonia-1917-iwm-q-32896-471d61-1024.jpg 2024 BRIEF https://images.squarespace-cdn.com/content/v1/5fd8d2ed481f942658c5722a/3aba3ec0-b3fe-440b-ba67-2b0736b52b6e/30+july+2014.jpg 2024 BRIEF 30 July 2014 https://images.squarespace-cdn.com/content/v1/5fd8d2ed481f942658c5722a/9ba89c02-0b37-4d0d-9c03-c83661bd875b/launceston-castle-8759.jpg 2024 BRIEF https://images.squarespace-cdn.com/content/v1/5fd8d2ed481f942658c5722a/cc7cc8dc-6c42-41f5-a00d-bfca4dea660b/2014.11.11.jpg 2024 BRIEF 11 November 2014 https://images.squarespace-cdn.com/content/v1/5fd8d2ed481f942658c5722a/0c3b37bb-9ef9-4ab0-916e-2195bfe8d14b/IMG_0808.jpg 2024 BRIEF https://images.squarespace-cdn.com/content/v1/5fd8d2ed481f942658c5722a/170744b6-f416-4a10-8e98-66c1edd6dcb7/2015.10.17.jpg 2024 BRIEF 17 October 2015 https://images.squarespace-cdn.com/content/v1/5fd8d2ed481f942658c5722a/4b448634-6f76-4951-8d55-aa09386e6e61/1673513_6d6a435c_1024x1024.jpg 2024 BRIEF https://images.squarespace-cdn.com/content/v1/5fd8d2ed481f942658c5722a/f5d4a542-47c6-47f0-a811-e849600887d6/25+june+2017.jpg 2024 BRIEF 25 June 2017 https://images.squarespace-cdn.com/content/v1/5fd8d2ed481f942658c5722a/e986e37f-b3d2-4606-91d8-e914b204adcf/Bauhaus_ThinkTank_01.png 2024 BRIEF 2019: Bauhaus Think-Tank by Guido Iannuzzi https://images.squarespace-cdn.com/content/v1/5fd8d2ed481f942658c5722a/2e47d7e5-5918-4947-90da-23e571012468/26+june+2020.jpg 2024 BRIEF 26 June 2020 https://images.squarespace-cdn.com/content/v1/5fd8d2ed481f942658c5722a/6e225b5d-f132-469b-966e-8718cbf161c5/BLACK+AND+WHITE+HERO.jpg https://images.squarespace-cdn.com/content/v1/5fd8d2ed481f942658c5722a/bd0f7676-b51f-4aa6-a232-8a7e728190d4/ahcd96qodmspspc3cacrk7ua12.png https://www.antepavilion.org/2024-judges daily 0.75 2024-03-11 https://images.squarespace-cdn.com/content/v1/5fd8d2ed481f942658c5722a/c7b2ae6e-7d94-4130-8cc0-4ea3eeb83ccf/1560378477592.jpg https://images.squarespace-cdn.com/content/v1/5fd8d2ed481f942658c5722a/cdc9f739-dea7-4ec7-b330-5ca21670d364/ftcms-f9c61674-de38-4fb6-b733-bcf649c63a02+copy.jpg https://images.squarespace-cdn.com/content/v1/5fd8d2ed481f942658c5722a/29890ff5-ac22-4ce3-8fa6-5f3baa0082de/jackies.jpg__1920x1080_q95_subsampling-2.jpg https://images.squarespace-cdn.com/content/v1/5fd8d2ed481f942658c5722a/875efbd6-74be-4a7f-9490-8a2e80de7f13/DSC08031.jpg https://images.squarespace-cdn.com/content/v1/5fd8d2ed481f942658c5722a/be253d03-1b25-4c3c-abb6-0f5e415e75b3/IMG_1530.jpeg https://www.antepavilion.org/2024-shortlist daily 0.75 2024-03-27 https://images.squarespace-cdn.com/content/v1/5fd8d2ed481f942658c5722a/08a31ef5-ca1f-4a78-91a5-a26366115c3a/Found%28ation%29_Good+Shape+picture.jpg 2024 SHORTLIST - SHORTLISTED: FOUND(ATION) BY Good Shape FOUND(ATION) is a relic for future archaeologists to discover. A beautifully crafted concrete pile on a stepped plinth. The concrete pile represents a fine example of an imagined mid 21stC. construction-design ethos and movement, which renounces the pouring of large quantities of ugly and wasteful concrete into the ground. Instead the invisible components in construction enjoy the craftsmanship and aesthetic refinement previously only seen in the above ground components of buildings. FOUND(ATION) uses the metaphor of beauty and fine work to insist that we put more thought into building foundations, often destined by their nature to long outlive the superstructures they support. https://images.squarespace-cdn.com/content/v1/5fd8d2ed481f942658c5722a/f6bffce9-4d32-41ef-8adf-519d0b59ce86/FUTURE+ARCHEOLOGY_LANSBURY-VINCELLI+picture.png 2024 SHORTLIST - SHORTLISTED: FUTURE ARCHEOLOGY BY LANSBURY-VINCELLI The demolition and ‘regeneration’ of the Aylesbury Estate is one of London's great 21st Century social cleansing programmes. Thousands were dispossessed of their homes and communities erased in the name of its regeneration. As all physical and historic reference to the estate is being obliterated, only subterranean evidence of the predominantly minority ethnic, working-class community will survive, with the estate projected to become FUTURE ARCHEOLOGY. Future Archaeology questions the destruction of London’s council estates by excavating one of the flats’ floor plans in the Antepavillon 2024 site - only half a mile from the Aylesbury. Sunk 1.2m deep, it reclaims the space of lost housing by welcoming people into a ‘political experience’. Utilising the reclaimed materials available the space will be created with gabions filled with granite setts - prominent symbols of urban rebellion:‘Sous les pavés, la plage!’. Under foot will be sand-coloured self-binding gravel. https://images.squarespace-cdn.com/content/v1/5fd8d2ed481f942658c5722a/230663fe-9db2-495d-8e4e-56cd8a51a0ab/LATER+PAVILION_TOOZE+WOOD+picture.png 2024 SHORTLIST - SHORTLISTED: LATER PAVILION BY TOOZE WOOD Later Pavilion will take the topsoil on site and transform it from brown to red using an artificial weathering process, and out of this alien earth create an urban plaza where normal, daily life can play out unobstructed. At night this urban and geological unconformity is lit by a miniature sun, a balloon made out of the tarpaulin of the previous Air Draft pavilion. Over the course of the summer, the pavilion will host a series of events to explore the histories and futures that soil contains. https://images.squarespace-cdn.com/content/v1/5fd8d2ed481f942658c5722a/c940d02b-d34e-4b0a-b921-bb65a16de3a9/Moonstone_Kevin+Kelly+Architects+%26+Structural+Assembly+pictur.jpg 2024 SHORTLIST - SHORTLISTED: MOONSTONE BY KEVIN KELLY ARCHITECTS & STRUCTURAL ASSEMBLY Moonstone is a reflection on the celestial and terrestrial realms intertwining, re-imagining what it means to connect the earth with the sky in the modern world. Constructed from reclaimed cobbles and gabions, it creates a lunar calendar/amphitheatre. Standing within, observers peer through translucent earthworks towards an external path with 36 markings, each aligning with the moon’s position on significant Roman calendar dates: Ides, Nones, and Kalends. The cobbles once firmly grounded, now seem to ascend, drawn upward in a dance with the lunar entity they seek to embrace. https://images.squarespace-cdn.com/content/v1/5fd8d2ed481f942658c5722a/c09087f4-155f-4edb-9998-9b60ee3d37fe/PRIMITIVE+DOMINO_ELSE+picture.jpg 2024 SHORTLIST - SHORTLISTED: PRIMITIVE DOMINO BY ELSE Primitive Domino" emerges as an enigmatic artifact discovered at a site previously deemed devoid of archaeological importance. With its hovering rock-ish roof, "Primitive Domino" is reminiscent of prehistoric megalithic structures like dolmens, evoking a sense of the fundamental and elemental. In contrast, its support structure of slanted, standard steel I-beams exudes an industrial and modern aesthetic. The flowing open space calls to mind the quintessential modernist framework of column and slabs. Adding a layer of complexity, LED displays nestled within the I-beams' flanges come alive with scrolling text, akin to contemporary hieroglyphs. This digital dialogue stretches the perception of time even further into our collective digital future, casting a veil of mystery over the temporal origins of "Primitive Domino https://images.squarespace-cdn.com/content/v1/5fd8d2ed481f942658c5722a/86244250-b16d-4aa9-9682-e0e2f50b2790/SOIL+STACKS_Pablo+Castillo+Luna+_Dhruv+Mehta+picture.jpg 2024 SHORTLIST - SHORTLISTED: SOIL STACKS BY PABLO LUNA & DHRUV MEHTA Soil Stacks is a structure of dry stacked bags reinforced by interweaving ropes. It is constructed by filling burlap bags with soil collected from the site, creating stackable units. These stackings generate a stepped façade, reconfiguring the status of soil from a horizontal to a vertical surface. The resulting courtyard allows for three carefully proportioned entrances allowing chance encounters. https://images.squarespace-cdn.com/content/v1/5fd8d2ed481f942658c5722a/599a4d9f-f2b5-4883-ae60-9d612b15a5c2/THE+LONDON+BRICK+2050_SABI+SPACE+PICTURE.jpg 2024 SHORTLIST - SHORTLISTED: THE LONDON BRICK 2050 BY SABI SPACE The London Brick 2050 asks ‘Can we still sustainably work London clay into bricks?' The proposal references the fossils in London clay, which now populate the stock bricks that make up the city’s fabric. The soils on the site include some clay but there are I other strata including old construction material, rubble and other waste. Can we make a London brick out of this mixture? The London Brick 2050 is a giant London Stock Brick, made with clay and other materials found on site. The brick is enlarged to a giant scale to show the ‘new’ fossils. In this case, manmade material recycled from the site and from previous Antepavilions. https://www.antepavilion.org/2024-winner daily 0.75 2024-08-07 https://images.squarespace-cdn.com/content/v1/5fd8d2ed481f942658c5722a/08a31ef5-ca1f-4a78-91a5-a26366115c3a/Found%28ation%29_Good+Shape+picture.jpg 2024 WINNER - THE WINNER OF THE 2024 ANTEPAVILION: FOUND(ATION) BY Good Shape (Lioba Pflaum & Hannah Sheerin) FOUND(ATION) is a relic for future archaeologists to discover. A beautifully crafted concrete pile on a stepped plinth. The concrete pile represents a fine example of an imagined mid 21stC. construction-design ethos and movement, which renounces the pouring of large quantities of ugly and wasteful concrete into the ground. Instead the invisible components in construction enjoy the craftsmanship and aesthetic refinement previously only seen in the above ground components of buildings. FOUND(ATION) uses the metaphor of beauty and fine work to insist that we put more thought into building foundations, often destined by their nature to long outlive the superstructures they support. https://images.squarespace-cdn.com/content/v1/5fd8d2ed481f942658c5722a/aba5a032-256b-4c71-ba3a-92b9054e363a/FUTURE+ARCHEOLOGY_LANSBURY-VINCELLI+picture.jpg 2024 WINNER - SHORTLISTED: FUTURE ARCHEOLOGY BY LANSBURY-VINCELLI The demolition and ‘regeneration’ of the Aylesbury Estate is one of London's great 21st Century social cleansing programmes. Thousands were dispossessed of their homes and communities erased in the name of its regeneration. As all physical and historic reference to the estate is being obliterated, only subterranean evidence of the predominantly minority ethnic, working-class community will survive, with the estate projected to become FUTURE ARCHEOLOGY. Future Archaeology questions the destruction of London’s council estates by excavating one of the flats’ floor plans in the Antepavillon 2024 site - only half a mile from the Aylesbury. Sunk 1.2m deep, it reclaims the space of lost housing by welcoming people into a ‘political experience’. Utilising the reclaimed materials available the space will be created with gabions filled with granite setts - prominent symbols of urban rebellion:‘Sous les pavés, la plage!’. Under foot will be sand-coloured self-binding gravel. https://images.squarespace-cdn.com/content/v1/5fd8d2ed481f942658c5722a/d70233f7-366f-48aa-b5e3-a74f8724d073/LATER+PAVILION_TOOZE+WOOD+picture.jpg 2024 WINNER - SHORTLISTED: LATER PAVILION BY TOOZE WOOD Later Pavilion will take the topsoil on site and transform it from brown to red using an artificial weathering process, and out of this alien earth create an urban plaza where normal, daily life can play out unobstructed. At night this urban and geological unconformity is lit by a miniature sun, a balloon made out of the tarpaulin of the previous Air Draft pavilion. Over the course of the summer, the pavilion will host a series of events to explore the histories and futures that soil contains. https://images.squarespace-cdn.com/content/v1/5fd8d2ed481f942658c5722a/dbb941c4-9db1-47b6-923c-35f26c0fcefa/Moonstone_Kevin+Kelly+Architects+%26+Structural+Assembly+pictur.jpg 2024 WINNER - SHORTLISTED: MOONSTONE BY KEVIN KELLY ARCHITECTS & STRUCTURAL ASSEMBLY Moonstone is a reflection on the celestial and terrestrial realms intertwining, re-imagining what it means to connect the earth with the sky in the modern world. Constructed from reclaimed cobbles and gabions, it creates a lunar calendar/amphitheatre. Standing within, observers peer through translucent earthworks towards an external path with 36 markings, each aligning with the moon’s position on significant Roman calendar dates: Ides, Nones, and Kalends. The cobbles once firmly grounded, now seem to ascend, drawn upward in a dance with the lunar entity they seek to embrace. https://images.squarespace-cdn.com/content/v1/5fd8d2ed481f942658c5722a/62411ba1-ec8a-4042-aa08-9fb6de099fae/PRIMITIVE+DOMINO_ELSE+picture.jpg 2024 WINNER - SHORTLISTED: PRIMITIVE DOMINO BY ELSE Primitive Domino" emerges as an enigmatic artifact discovered at a site previously deemed devoid of archaeological importance. With its hovering rock-ish roof, "Primitive Domino" is reminiscent of prehistoric megalithic structures like dolmens, evoking a sense of the fundamental and elemental. In contrast, its support structure of slanted, standard steel I-beams exudes an industrial and modern aesthetic. The flowing open space calls to mind the quintessential modernist framework of column and slabs. Adding a layer of complexity, LED displays nestled within the I-beams' flanges come alive with scrolling text, akin to contemporary hieroglyphs. This digital dialogue stretches the perception of time even further into our collective digital future, casting a veil of mystery over the temporal origins of "Primitive Domino https://images.squarespace-cdn.com/content/v1/5fd8d2ed481f942658c5722a/2eab13af-2313-4a3e-9a11-368501150c8d/SOIL+STACKS_Pablo+Castillo+Luna+_Dhruv+Mehta+picture.jpg 2024 WINNER - SHORTLISTED: SOIL STACKS BY PABLO LUNA & DHRUV MEHTA Soil Stacks is a structure of dry stacked bags reinforced by interweaving ropes. It is constructed by filling burlap bags with soil collected from the site, creating stackable units. These stackings generate a stepped façade, reconfiguring the status of soil from a horizontal to a vertical surface. The resulting courtyard allows for three carefully proportioned entrances allowing chance encounters. https://images.squarespace-cdn.com/content/v1/5fd8d2ed481f942658c5722a/ed316ae6-b5b8-470e-9deb-b75fb535a74d/THE+LONDON+BRICK+2050_SABI+SPACE+PICTURE.jpg 2024 WINNER - SHORTLISTED: THE LONDON BRICK 2050 BY SABI SPACE The London Brick 2050 asks ‘Can we still sustainably work London clay into bricks?' The proposal references the fossils in London clay, which now populate the stock bricks that make up the city’s fabric. The soils on the site include some clay but there are I other strata including old construction material, rubble and other waste. Can we make a London brick out of this mixture? The London Brick 2050 is a giant London Stock Brick, made with clay and other materials found on site. The brick is enlarged to a giant scale to show the ‘new’ fossils. In this case, manmade material recycled from the site and from previous Antepavilions. https://www.antepavilion.org/2025 daily 0.75 2025-03-06 https://images.squarespace-cdn.com/content/v1/5fd8d2ed481f942658c5722a/627658a5-d7f8-4dc4-8a3f-cd35bbea71c3/Flood+House+1.jpg https://images.squarespace-cdn.com/content/v1/5fd8d2ed481f942658c5722a/a38228d3-a9f6-45de-8820-8c0ea2a30208/4.jpg https://images.squarespace-cdn.com/content/v1/5fd8d2ed481f942658c5722a/6e4595f7-8f74-4dc6-a11b-20b281f67a88/IMG_0032.jpg https://images.squarespace-cdn.com/content/v1/5fd8d2ed481f942658c5722a/af4c2e24-af55-46fc-924d-adb755dd8d83/Maich_Swift_Potemkin_Theatre_2019_DG_53.jpg https://images.squarespace-cdn.com/content/v1/5fd8d2ed481f942658c5722a/a66e4a4a-b71c-4f80-a28c-561bbad7c30b/Screenshot+2025-01-08+at+12.23.02.jpg https://images.squarespace-cdn.com/content/v1/5fd8d2ed481f942658c5722a/ac5c6488-f680-4dad-a504-1c40cc3935a6/AD1A3435.jpg https://images.squarespace-cdn.com/content/v1/5fd8d2ed481f942658c5722a/a85212e9-1c19-4ab9-92dd-22c8f9999ea8/Atchtower+Black+border.jpg https://images.squarespace-cdn.com/content/v1/5fd8d2ed481f942658c5722a/1eaabf4f-1686-4e81-8f85-6521487b2eb9/Antepavilion-24th-June-2021-%C2%A9Luke-ODonovan-1600x1067.jpg https://images.squarespace-cdn.com/content/v1/5fd8d2ed481f942658c5722a/36840704-88e5-4d05-b34a-7f1c376f2af4/1.jpg https://images.squarespace-cdn.com/content/v1/5fd8d2ed481f942658c5722a/c1fd52d0-70e0-4ec1-856a-e7f481ec09c8/IMG_2843+2.jpg https://www.antepavilion.org/register daily 0.75 2026-01-15 https://www.antepavilion.org/2025-judges daily 0.75 2025-03-10 https://images.squarespace-cdn.com/content/v1/5fd8d2ed481f942658c5722a/ce90b3e1-f563-47ef-896f-bf066084c8a5/IMG_0075.jpg https://images.squarespace-cdn.com/content/v1/5fd8d2ed481f942658c5722a/92e3cafc-c8bb-4ef1-a018-c45b43c97a20/Unknown.jpg https://images.squarespace-cdn.com/content/v1/5fd8d2ed481f942658c5722a/946d46b1-90de-4b94-a913-e6ce08e6d065/c50e2e0e-2a9e-4932-849e-7d6a3eea0e87.jpg https://images.squarespace-cdn.com/content/v1/5fd8d2ed481f942658c5722a/347efcee-1959-4141-9173-dd2283027e3f/974b207f-78ed-4412-a1c1-9a0a7ea495b3.jpg https://images.squarespace-cdn.com/content/v1/5fd8d2ed481f942658c5722a/e51aaf61-2455-4aa0-9d65-3079795f116a/742226ff-9c4a-4f77-a8f5-403c7a634750.jpg https://images.squarespace-cdn.com/content/v1/5fd8d2ed481f942658c5722a/2f1e4ce7-b6bc-4c7e-88b8-0e47242f9dc0/297e1905-7ee0-46b4-8223-ac2b4bdb5f34.jpg https://images.squarespace-cdn.com/content/v1/5fd8d2ed481f942658c5722a/31028070-23b2-4f25-9c79-70df3ec8de56/9698e692-af51-4393-9e54-fbc8bdaec855.JPG https://images.squarespace-cdn.com/content/v1/5fd8d2ed481f942658c5722a/875efbd6-74be-4a7f-9490-8a2e80de7f13/DSC08031.jpg https://images.squarespace-cdn.com/content/v1/5fd8d2ed481f942658c5722a/be253d03-1b25-4c3c-abb6-0f5e415e75b3/IMG_1530.jpeg https://www.antepavilion.org/2025-shortlist daily 0.75 2025-04-22 https://images.squarespace-cdn.com/content/v1/5fd8d2ed481f942658c5722a/e86303f2-ae7d-4afe-8946-d2125ffda97a/moonument+img.jpg 2025 SHORTLIST - 2025 WINNER : MOONUMENT By George Gil in collaboration with the Redundant Architects Recreation Association. “Every 28 days, the great silver Moon rises from her slumber, climbing high above the restless canal. She was not like the Sun, who ruled over calm waters and drowsy fish. No, the Moon was a queen of motion, a herald of the hunt. As her light spilled across the waves, the water stirred. Below, the SHARKS! paused from their silent patrols, sensing the call. The Moon’s glow turned the water into a world of shifting shadows, perfect for the swift and the cunning. As the SHARKS! hunted through cloudy waters of bureaucracy, the Moon watched, proud of her children of the deep. Unlike others, she did not fear them. She did not shun their hunger or their nature. Instead, she celebrated them, encouraging their chase, their instinct, their purpose. And so, the Moon and the sharks danced together—one above, casting silver ribbons upon the canal, the others below, swift and unseen, embracing the night.Sharks are said to be at their most active under a full moon. Moonument is said to miraculously appear from the ether over them, flickering and transforming between phases as passers by move along the canal around it. Moonument is a celebration of Antepavilion’s recent triumphs. It fundamentally questions Hackney’s definition of development through three facets: permanence, size, and attachment. It is an animated symbol of contradiction: bold yet subtle, large yet light, shallow yet deep, familiar yet unrecognisable.” https://images.squarespace-cdn.com/content/v1/5fd8d2ed481f942658c5722a/8c78f6af-265e-4c8d-8c62-5d0fec452931/redtape.jpg 2025 SHORTLIST - SHORTLISTED: RED TAPE BY LUKE LUPTON “Its 2025, London sprawls before you into its peaked horizon. Patchwork streets, redbrick terraces, forgotten churches, glassy towers, parkland, pavement, pubs, canals, cafes and cobbles. The city has emerged, through reformations, fires, wars, whims, sweat and craft to the tapes- try of wonderful chaos we walk today. But its face is starting to swell. Its finding it hard to breathe. There's a tight red noose snaking its way around the city, blocking the windpipe of wonder, sticking to brick like gum on a shoe and halting the vital lifeblood of creativity, risk and progress. Red Tape proposes two big rolls of rep tape (1) that sit on the pavilion plinth....(2) insidiously weaving its way around the plinth and its building...(3) crossing roads and climbing walls...Red Tape puts the ridiculousness and reach of our planning system in plain sight.” https://images.squarespace-cdn.com/content/v1/5fd8d2ed481f942658c5722a/3c7c4ede-8b0e-45f0-8d83-44c3a69aedd8/resonant+nest+img.jpg 2025 SHORTLIST - SHORTLISTED: RESONANT NEST BY ROBIN SPARKES AT BODYCLOCK " Reinterpreting the historic sound mirrors of Dungeness, UK, Resonant Nest: An Amphitheatre for Birds fosters stronger relationships between urban and avian ecosystems along the waterways of Hoxton. The design adapts boat-building methodologies to bend wood into a parabolic curve, focusing sound to extend the reach of high-frequency avian calls over greater distances from within the cone. Positioned atop the remaining Lower Nest of the ANTECHAMBER, this structure shifts perception from the visual to the sonic environment of birds. The parabolic mirror is formed using boat-building bending techniques, with red louro cladding repurposed from previous use. The truss system that supports the mirror also functions as an eight-unit bird box structure, offering sanctuary to Hoxton’s songbirds. The structural truss elements are constructed from reclaimed timber salvaged from the Upper Nest of the ANTECHAMBER. This interplay between reclaimed materials and methodology reinforces the project’s commitment to adaptive reuse. The mirror creates an acoustic space where high-frequency avian phonetics can be heard over the industrial soundscape. Birdsong, occupying higher frequency ranges, consists of short, rapid wavelengths, contrasting with the low-frequency industrial noise of traffic, construction, and canal activity. These low, wide wave- lengths travel greater distances, monopolizing the soundscape and disrupting birds’ communication exchange. Avian vocalizations function as a complex system of acoustic signaling, facilitating both intraspecies and interspecies communication through learned phonation patterns, frequency modulation, and temporal structuring. These vocalizations play a critical role in territory establishment, mate attraction, and social cohesion, with songbirds (Passeri) exhibiting regionally distinct dialects shaped by environmental feedback and neuroplasticity." https://images.squarespace-cdn.com/content/v1/5fd8d2ed481f942658c5722a/41853f13-a734-45a7-8b7d-f51020b5fe1e/sisyphus+img.jpg 2025 SHORTLIST - SHORTLISTED:: SISYPHUS BY CARLOS TOLOSA TEJEDOR and KILIAN SCHELLENBERGER OF 8-)(8-parenthesis) “ Sisyphos, from Greek mythology, is a figure defined not by heroism, but by selfishness, cunning, and an almost absurd disregard for the natural order. A notorious king of Corinth, he earned his place in myth not through bravery or wisdom, but through his relentless manipulation of both mortals and gods. Sisyphus was infamous for cheating death—twice— first by shackling the god of death, Thanatos, and lat- er by trapping Hades himself. His actions, driven by ego and arrogance, defied the fundamental rules of life and death, earning him a punishment that was as ridiculous as it was eternal: to push a massive boulder up a hill, only for it to roll back down every time he neared the top. This endless cycle, a task that could never be com- pleted, was a punishment that mocked the very idea of purpose or achievement. Sisyphus’ story is one of absurdity—where effort leads to no progress, and per- sistence only ensures failure. His punishment stands as a symbol not of perseverance, but of the futility and folly of trying to outsmart fate. It’s a tale that exposes the limits of human hubris and the ridiculousness of our futile attempts to defy the inevitable. Our proposal for the Antepavilion takes inspiration from this myth, exploring the absurdity of striving against impossible odds, and the bottles errands ran by police and planning authorities when it serves no real purpose. As the brief suggests, this year’s Antepavilion will of- fer three distinct experiences in three dedicated spac- es: Platform/Podium/Plinth, The Pyramid, and The Water Jet." https://images.squarespace-cdn.com/content/v1/5fd8d2ed481f942658c5722a/0523a242-48ff-4534-a8e2-fca21d10cf0e/the+last+straw+img.jpg 2025 SHORTLIST - SHORTLISTED: THE LAST STRAW BY CHAO GAO AT CIAOCIAO DESIGN " The Last Straw embody the fragile state of art, craft, and nature in the modern world while exposing the political tensions between Antepavilion and Hackney Council. More than an installation, they are declaration of the planning crisis, challenging restrictive policies that stifle creative and sustainable practices. Far from passive sculptures, The Last Straw are catalysts for change, confronting four urgent issues: The loss of traditional craftsmanship – Reviving endangered skills like straw craft and natural material construction. The disappearance of wilderness – Restoring biodiversity and green spaces in the urban fabric. The increasing disconnect from nature – Reconnecting Londoners with hands-on making, craft, and the natural world. The constraints of current building regulations – Challenging the dominance of industrial materials by advocating for low- carbon, natural alternatives. Beyond the final installation, The Last Straw is a movement—reviving craftsmanship, fostering play, and driving education. Built from raw, honest materials like mud and straw, The Last Straw embrace simplicity to ensure inclusivity and engagement. Rooted in the form of the traditional bee skep, crafted in a natural setting, they blur the boundaries between art, craft, and architecture—demanding the preservation of these threatened traditions in an increasingly controlled urban world." https://www.antepavilion.org/2024-winner-1 daily 0.75 2025-04-22 https://images.squarespace-cdn.com/content/v1/5fd8d2ed481f942658c5722a/08a31ef5-ca1f-4a78-91a5-a26366115c3a/Found%28ation%29_Good+Shape+picture.jpg 2025 WINNER - THE WINNER OF THE 2024 ANTEPAVILION: FOUND(ATION) BY Good Shape (Lioba Pflaum & Hannah Sheerin) FOUND(ATION) is a relic for future archaeologists to discover. A beautifully crafted concrete pile on a stepped plinth. The concrete pile represents a fine example of an imagined mid 21stC. construction-design ethos and movement, which renounces the pouring of large quantities of ugly and wasteful concrete into the ground. Instead the invisible components in construction enjoy the craftsmanship and aesthetic refinement previously only seen in the above ground components of buildings. FOUND(ATION) uses the metaphor of beauty and fine work to insist that we put more thought into building foundations, often destined by their nature to long outlive the superstructures they support. https://images.squarespace-cdn.com/content/v1/5fd8d2ed481f942658c5722a/aba5a032-256b-4c71-ba3a-92b9054e363a/FUTURE+ARCHEOLOGY_LANSBURY-VINCELLI+picture.jpg 2025 WINNER - SHORTLISTED: FUTURE ARCHEOLOGY BY LANSBURY-VINCELLI The demolition and ‘regeneration’ of the Aylesbury Estate is one of London's great 21st Century social cleansing programmes. Thousands were dispossessed of their homes and communities erased in the name of its regeneration. As all physical and historic reference to the estate is being obliterated, only subterranean evidence of the predominantly minority ethnic, working-class community will survive, with the estate projected to become FUTURE ARCHEOLOGY. Future Archaeology questions the destruction of London’s council estates by excavating one of the flats’ floor plans in the Antepavillon 2024 site - only half a mile from the Aylesbury. Sunk 1.2m deep, it reclaims the space of lost housing by welcoming people into a ‘political experience’. Utilising the reclaimed materials available the space will be created with gabions filled with granite setts - prominent symbols of urban rebellion:‘Sous les pavés, la plage!’. Under foot will be sand-coloured self-binding gravel. https://images.squarespace-cdn.com/content/v1/5fd8d2ed481f942658c5722a/d70233f7-366f-48aa-b5e3-a74f8724d073/LATER+PAVILION_TOOZE+WOOD+picture.jpg 2025 WINNER - SHORTLISTED: LATER PAVILION BY TOOZE WOOD Later Pavilion will take the topsoil on site and transform it from brown to red using an artificial weathering process, and out of this alien earth create an urban plaza where normal, daily life can play out unobstructed. At night this urban and geological unconformity is lit by a miniature sun, a balloon made out of the tarpaulin of the previous Air Draft pavilion. Over the course of the summer, the pavilion will host a series of events to explore the histories and futures that soil contains. https://images.squarespace-cdn.com/content/v1/5fd8d2ed481f942658c5722a/dbb941c4-9db1-47b6-923c-35f26c0fcefa/Moonstone_Kevin+Kelly+Architects+%26+Structural+Assembly+pictur.jpg 2025 WINNER - SHORTLISTED: MOONSTONE BY KEVIN KELLY ARCHITECTS & STRUCTURAL ASSEMBLY Moonstone is a reflection on the celestial and terrestrial realms intertwining, re-imagining what it means to connect the earth with the sky in the modern world. Constructed from reclaimed cobbles and gabions, it creates a lunar calendar/amphitheatre. Standing within, observers peer through translucent earthworks towards an external path with 36 markings, each aligning with the moon’s position on significant Roman calendar dates: Ides, Nones, and Kalends. The cobbles once firmly grounded, now seem to ascend, drawn upward in a dance with the lunar entity they seek to embrace. https://images.squarespace-cdn.com/content/v1/5fd8d2ed481f942658c5722a/62411ba1-ec8a-4042-aa08-9fb6de099fae/PRIMITIVE+DOMINO_ELSE+picture.jpg 2025 WINNER - SHORTLISTED: PRIMITIVE DOMINO BY ELSE Primitive Domino" emerges as an enigmatic artifact discovered at a site previously deemed devoid of archaeological importance. With its hovering rock-ish roof, "Primitive Domino" is reminiscent of prehistoric megalithic structures like dolmens, evoking a sense of the fundamental and elemental. In contrast, its support structure of slanted, standard steel I-beams exudes an industrial and modern aesthetic. The flowing open space calls to mind the quintessential modernist framework of column and slabs. Adding a layer of complexity, LED displays nestled within the I-beams' flanges come alive with scrolling text, akin to contemporary hieroglyphs. This digital dialogue stretches the perception of time even further into our collective digital future, casting a veil of mystery over the temporal origins of "Primitive Domino https://images.squarespace-cdn.com/content/v1/5fd8d2ed481f942658c5722a/2eab13af-2313-4a3e-9a11-368501150c8d/SOIL+STACKS_Pablo+Castillo+Luna+_Dhruv+Mehta+picture.jpg 2025 WINNER - SHORTLISTED: SOIL STACKS BY PABLO LUNA & DHRUV MEHTA Soil Stacks is a structure of dry stacked bags reinforced by interweaving ropes. It is constructed by filling burlap bags with soil collected from the site, creating stackable units. These stackings generate a stepped façade, reconfiguring the status of soil from a horizontal to a vertical surface. The resulting courtyard allows for three carefully proportioned entrances allowing chance encounters. https://images.squarespace-cdn.com/content/v1/5fd8d2ed481f942658c5722a/ed316ae6-b5b8-470e-9deb-b75fb535a74d/THE+LONDON+BRICK+2050_SABI+SPACE+PICTURE.jpg 2025 WINNER - SHORTLISTED: THE LONDON BRICK 2050 BY SABI SPACE The London Brick 2050 asks ‘Can we still sustainably work London clay into bricks?' The proposal references the fossils in London clay, which now populate the stock bricks that make up the city’s fabric. The soils on the site include some clay but there are I other strata including old construction material, rubble and other waste. Can we make a London brick out of this mixture? The London Brick 2050 is a giant London Stock Brick, made with clay and other materials found on site. The brick is enlarged to a giant scale to show the ‘new’ fossils. In this case, manmade material recycled from the site and from previous Antepavilions. https://www.antepavilion.org/home-3 daily 0.75 2025-06-10 https://images.squarespace-cdn.com/content/v1/5ce82d5d7cff9a0001025c64/1559145593752-K6NP33Y5VA3N47BLNWBI/dog-1.jpg Home https://images.squarespace-cdn.com/content/v1/5ce82d5d7cff9a0001025c64/1559145606335-OPRR4VFVML1MLEYABAMB/dog-2.jpg Home https://images.squarespace-cdn.com/content/v1/5ce82d5d7cff9a0001025c64/1565806291853-5281R8TP875AC389ZG8W/dog-3.jpg Home https://images.squarespace-cdn.com/content/v1/5ce82d5d7cff9a0001025c64/1559148135040-KDJQI8TRRDQGPZ8FSP1H/dog-4.jpg Home https://images.squarespace-cdn.com/content/v1/5ce82d5d7cff9a0001025c64/1560193610379-U7FPPWU0KPXE804A7W4T/A05A8733-3.jpg Home https://images.squarespace-cdn.com/content/v1/5ce82d5d7cff9a0001025c64/1565806359829-M0YHYCNT1OB16V2YR814/dog-6.jpg Home https://www.antepavilion.org/workshop-future-archeology daily 0.75 2025-11-28 https://images.squarespace-cdn.com/content/v1/5fd8d2ed481f942658c5722a/16cfdc62-d5ac-4ddc-b95f-b386dc492fcb/_131824214_gettyimages-1365732578.jpg.webp FUTURE ARCHEOLOGY Aylesbury Estate in 1969. On completion it covered 28 hectares (70 acres) and replaced the existing landscape of overcrowded housing, semi-industrial sites and bomb-damaged streets. https://images.squarespace-cdn.com/content/v1/5fd8d2ed481f942658c5722a/af65e062-632e-43c2-b1cc-3d2e32f24458/_131824216_gettyimages-1365732518.jpg.webp FUTURE ARCHEOLOGY Aylesbury Estate near completion in 1976 With roughly 2,700 dwellings it was designed to house a population of about 10,000 residents. The Aylesbury Estate stood as the largest system-built estate in London, ultimately housing over 11,000 residents. https://images.squarespace-cdn.com/content/v1/5fd8d2ed481f942658c5722a/8b262417-c3da-485e-966e-35f38abc43d5/_131824066_88c2c597-ece5-4984-a507-c7aa2135e3f4.jpg.webp FUTURE ARCHEOLOGY Woman pushing a pram in 1979 along one of the 21km of walkways that made up and connected the blocks. https://images.squarespace-cdn.com/content/v1/5fd8d2ed481f942658c5722a/64bd37c9-5102-47db-9a88-6862450b19ee/_131824234_gettyimages-3305247.jpg.webp FUTURE ARCHEOLOGY A row of balconies in 1978. https://images.squarespace-cdn.com/content/v1/5fd8d2ed481f942658c5722a/3d576b9e-c7ee-4699-9ef3-7efdbcc81787/PHOTO-2025-09-15-15-01-19.jpg FUTURE ARCHEOLOGY Wendover block on the Aylesbury Estate in 2025. All but 11 residents (lease holders and council tenants) have been removed. https://images.squarespace-cdn.com/content/v1/5fd8d2ed481f942658c5722a/b02c2fdf-d8bc-42f2-9149-a8d923b277e4/IMG_1357.jpeg FUTURE ARCHEOLOGY All uninhabited flats are welded shut https://images.squarespace-cdn.com/content/v1/5fd8d2ed481f942658c5722a/73a9d9d7-2f05-4b58-9904-2800c2ba576a/IMG_1354.jpeg FUTURE ARCHEOLOGY Closure Order notices are posted throughout the block and frequent police/council worker patrols attempt to stop people re-inhabiting the condemned flats https://images.squarespace-cdn.com/content/v1/5fd8d2ed481f942658c5722a/376d30d5-6cf2-4f19-aa8c-812c05847675/IMG_1351.jpeg FUTURE ARCHEOLOGY Wendover, 2025. With demolition on the horizon, the blocks have been allowed to degrade https://images.squarespace-cdn.com/content/v1/5fd8d2ed481f942658c5722a/3c71348a-0f1a-41d3-adb5-1bf74c0ba259/IMG_1353.jpeg FUTURE ARCHEOLOGY A row of balconies in 2025 https://images.squarespace-cdn.com/content/v1/5fd8d2ed481f942658c5722a/29b6a4b5-d641-4dd0-889e-b45189e4a1b6/DJI_20250915152951_0057_D.JPG FUTURE ARCHEOLOGY - Make it stand out Future Archaeology, September 2025 https://images.squarespace-cdn.com/content/v1/5fd8d2ed481f942658c5722a/ed622e67-4208-4b37-ba06-db823b1b0c3f/The+Negative+%28The+New+Ansel+Adams+Photography+Series%2C+Book+--+Ansel+Adams+with+the+collaboration+of+Robert+Baker+--+The+Ansel+Adams+photography+series+--+9780821210925+--+2e485cbf2b42f441d9c42a7a593c1225+--+Anna%E2%80%99s+Archive.jpeg https://www.antepavilion.org/workshop-watchtower daily 0.75 2025-07-02 https://images.squarespace-cdn.com/content/v1/5fd8d2ed481f942658c5722a/4977db24-9a29-4085-a772-d1b6d3d12989/WATCHTOWER_4.jpeg 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2026-03-23 https://images.squarespace-cdn.com/content/v1/5fd8d2ed481f942658c5722a/18c0cc15-da65-49b6-9416-aecf851f8310/3693510_orig.jpg 2026 BRIEF Upgrading by Folke Köbberling & Martin Kaltwasser, 2012. A sculpture of a tree made from recycled materials, which asks how much real timber is used in today's wood products. https://images.squarespace-cdn.com/content/v1/5fd8d2ed481f942658c5722a/ca5c6362-9067-4343-bdf4-0c6d94cfceba/steel3.jpeg 2026 BRIEF https://images.squarespace-cdn.com/content/v1/5fd8d2ed481f942658c5722a/ca4bb9d1-8b08-427b-ad93-01155b893d85/louro2.jpg 2026 BRIEF https://images.squarespace-cdn.com/content/v1/5fd8d2ed481f942658c5722a/be886925-d19b-46f3-8cb2-f79e2858a242/518A3236.jpeg 2026 BRIEF https://images.squarespace-cdn.com/content/v1/5fd8d2ed481f942658c5722a/2e8a6779-c94d-49fc-9c67-09f520fd1ed2/glass1.jpg 2026 BRIEF https://images.squarespace-cdn.com/content/v1/5fd8d2ed481f942658c5722a/1767110615558-4TL6DFYDLT7X6FJBCJDB/PHOTO-2025-12-30-14-07-10.jpg 2026 BRIEF https://images.squarespace-cdn.com/content/v1/5fd8d2ed481f942658c5722a/eaeae947-faea-4889-863b-e626a4820a2e/FOUND%28ation%29+is+nearing+completion+in+time+for+its+opening+on+next+Thursday+%28link+to+free+ticket.jpg 2026 BRIEF https://images.squarespace-cdn.com/content/v1/5fd8d2ed481f942658c5722a/1767111814013-H67VFPP53JH97WRMCAUB/CAFX_00_MajaFlink-1.jpg 2026 BRIEF Upside Down, Inside Out by studio Slaatto Morsbøl, 2025. Designed as a demonstration of the value of salvaging, processing and repurposing discarded materials and slowing down in construction. https://images.squarespace-cdn.com/content/v1/5fd8d2ed481f942658c5722a/888695a1-8059-449b-89c0-c32096cdcd6d/louro3.jpg 2026 BRIEF https://images.squarespace-cdn.com/content/v1/5fd8d2ed481f942658c5722a/f642e76e-60cf-414e-ad83-c951bcd291db/518A3234.jpeg 2026 BRIEF https://images.squarespace-cdn.com/content/v1/5fd8d2ed481f942658c5722a/15fc7fcf-a753-497a-806c-11729bb6b1aa/glass2.jpg 2026 BRIEF https://images.squarespace-cdn.com/content/v1/5fd8d2ed481f942658c5722a/1767110631661-08UIRFG1BAW8ALOJA9J3/PHOTO-2025-12-30-14-07-10%2B2.jpg 2026 BRIEF https://images.squarespace-cdn.com/content/v1/5fd8d2ed481f942658c5722a/1767198469807-VPWRUOXOGCLARI7W772T/steel5.jpg 2026 BRIEF https://images.squarespace-cdn.com/content/v1/5fd8d2ed481f942658c5722a/1767611770108-B6OD12ZPLU7PVRLTV9LP/IMG_1586.jpg 2026 BRIEF https://images.squarespace-cdn.com/content/v1/5fd8d2ed481f942658c5722a/fb7bb60b-6783-4761-ad12-33097081f085/louro1.jpg 2026 BRIEF https://images.squarespace-cdn.com/content/v1/5fd8d2ed481f942658c5722a/7f29acbf-b505-4d0b-998d-921aa150673f/mason3.jpg 2026 BRIEF https://images.squarespace-cdn.com/content/v1/5fd8d2ed481f942658c5722a/1767110604999-J1QYXEXWVGJMVNQ52V4Y/PHOTO-2025-12-30-14-07-11.jpg 2026 BRIEF https://images.squarespace-cdn.com/content/v1/5fd8d2ed481f942658c5722a/1767196789263-EL2J400CAKD1G0T2LEJY/1024px-Jongelui_bouwen_huttendorp_in_Amsterdam_Noord%252C_Bestanddeelnr_927-3622.jpg 2026 BRIEF Amsterdam, 1974. In the ruins of post war Europe, ‘Junk Playgrounds’ sprang up in empty lots where, out of the junk lying around, children would construct, deconstruct and reconstruct their own playgrounds. https://images.squarespace-cdn.com/content/v1/5fd8d2ed481f942658c5722a/1767198396209-9AU811FKXCYDV51V66AK/PHOTO-2025-12-31-16-09-34.jpg 2026 BRIEF https://images.squarespace-cdn.com/content/v1/5fd8d2ed481f942658c5722a/591b6147-aa38-4f40-a89d-5b4d0678b0c6/IMG_1609.JPG 2026 BRIEF https://images.squarespace-cdn.com/content/v1/5fd8d2ed481f942658c5722a/c8254ee8-f623-4bcc-ae6c-5a38177e54d7/steel1.jpeg 2026 BRIEF https://images.squarespace-cdn.com/content/v1/5fd8d2ed481f942658c5722a/0473f4a9-c40f-4188-8aad-4bcd253fc11a/mason4.jpg 2026 BRIEF https://images.squarespace-cdn.com/content/v1/5fd8d2ed481f942658c5722a/1767110643247-8T9FFR474FVSIAESB301/518A3239.jpg 2026 BRIEF https://images.squarespace-cdn.com/content/v1/5fd8d2ed481f942658c5722a/6c8997db-6a1c-405e-931d-cab82749f976/Red+Louro+section.png 2026 BRIEF https://images.squarespace-cdn.com/content/v1/5fd8d2ed481f942658c5722a/7d40cb86-215e-4d0b-acc2-d9bf17faf9f8/old-kitchen-3-2.jpg 2026 BRIEF Lama Foundation, New Mexico. Built in the 60s/70s, then following a fire rebuilt in the 90s, the Lama Foundation emphasised DIY builds from natural materials. https://images.squarespace-cdn.com/content/v1/5fd8d2ed481f942658c5722a/a2b42747-c542-4432-a7ac-dd071a4191fc/IMG_1608.JPG 2026 BRIEF https://images.squarespace-cdn.com/content/v1/5fd8d2ed481f942658c5722a/1767111796590-Z2WP43QVQZM41PH4I833/57786b_53cfb208baf44c2bb92190398650b911%257Emv2.jpg 2026 BRIEF Quake City, Lebbeus Wood, 1995. In the mid 90s Woods imagined the architecture that would emerge after the ‘Big One’, a magnitude 8+ earthquake. The structures he envisioned were constructed, transformed or even completed by the earthquakes themselves. https://images.squarespace-cdn.com/content/v1/5fd8d2ed481f942658c5722a/1767111870995-9OZSYDI1LHM44A6JMRW6/Fig_5.11_jellyfish-theatre-8.jpg 2026 BRIEF Jellyfish Theatre, by Folke Köbberling & Martin Kaltwasser, 2010. A 120 person theatre built by volunteers entirely out of reclaimed materials. https://images.squarespace-cdn.com/content/v1/5fd8d2ed481f942658c5722a/1767111887497-MOR50C6YKI4297ZEFY4X/19-House-of-Mirrors.jpg 2026 BRIEF House of Mirrors, by Clarence Schmidt, Woodstock, 1940. A 7 storey, 35 room ramshackle home built by Schmidt largely out of salvaged materials https://images.squarespace-cdn.com/content/v1/5fd8d2ed481f942658c5722a/dfcc2e60-0a57-444b-93c1-146f8b37eee8/DJI_20250915153122_0060_D.jpeg 2026 BRIEF Pages Walk: Located 100m south-east of the Old Kent Rd flyover. The 0.03ha triangular site is bounded by Page’s Walk to the north-west and Mandela Way to the south. The site is nominally flat and the surrounding pavement level lies c. 2.5m above Ordnance Datum (OD). It currently exhibits a 900mm deep recessed area demarcated by gabion basket walls filled with granite setts reclaimed from local street works. The recessed area represents the floor plate of a two bedroom flat on the notorious Aylesbury Estate which is located close by. Another workshop will form a lining occupying the area within the recess. Entrants are welcome to augment/complement/collaborate with this workshop if they wish. Sketches of the workshop are available in the resources. https://images.squarespace-cdn.com/content/v1/5fd8d2ed481f942658c5722a/d9fa868e-b460-4b96-b814-5fb06e6cae90/Birds+eye+view+of+site.jpg 2026 BRIEF Hoxton Docks: Any of the buildings’ rooftops or walls, the pontoons in the canal and the barge, Ouse, are all available for display purposes. The pontoons are a system of connecting floats, each of 4.2m metres by 2.1m area. 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